production design
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Arne Norell Ari chair and ottoman as seen in The Romantic Englishwoman
As seen in:Designer: Arne Norell
Director: Joseph Losey
The Ari chair and ottoman is perhaps Arne Norell’s most beautiful and luxurious design created in 1966 and is favoured by Lewis (Michael Caine) and Elizabeth (Glenda Jackson) for their grand living room in The Romantic Englishwoman. Lewis is seen sitting in the Ari chair in several key scenes.
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Blade Runner 2049 K’s apartment floor plan art print by Floor Plan Croissant
As seen in:Designer: Floor Plan Croissant
Director: Denis Villeneuve
Floor Plan Croissant painstakingly recreates the floor plans and set decoration of film sets from famous movies in watercolour paint. Here she has faithfully painted K’s apartment in Blade Runner 2049.
Approx £29.00 / $37
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Bourgie Lamp
As seen in:Designer: Ferruccio Laviani
Kartell
We spotted the Bourgie lamp from Kartell in Netflix’s White Lines amongst many other film and TV appearances.
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Brazil (BFI Film Classics)
As seen in:Director: Terry Gilliam
Paul McAuley traces Brazil’s production and critical reception, analyses its retro-futuristic imagery and inventive sequences, and unpicks the narrative’s intricate web of accident, coincidence and allusion.
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Cantilever 290 Dining Chair by Steen Ostergaard for Cado
As seen in:Designer: Steen Ostergaard
The iconic cantilevered 290 chair designed in 1966 by Steen Ostergaard is a simple and elegant chair with retro futuristic styling.
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Coltrane wall lamp
As seen in:Delightfull
The Coltrane wall lamp (as well as the Coltrane ceiling pendant lights) whose name is influenced by the jazz musician John Coltrane, is seen in Ghost In The Shell.
Approx £1,073.00 / $1405
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Compton wallpaper by William Morris
As seen in:Designer: William Morris
Morris & Co.
Director: Charlie Kaufman
The indigo/russet colourway of the Compton Morris wallpaper plays a starring role in Charlie Kaufman’s I’m Thinking of Ending Things.
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Creating Interior Atmosphere, Mise-en-scène and Interior Design
Creating Interior Atmosphere, Mise-en-scène and Interior Design explores the creation of interior atmosphere as seen through the lens of mise-en-scene. You will learn how this film theory informs the concept of `staged space’ translated through the narrative and expressive qualities of a particular scene.
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Dazor Saucer Lamp (vintage)
As seen in:Director: Ridley Scott
To achieve maximum Future Noir moodiness Deckard’s apartment in Blade Runner features a myriad of lamps including a Dazor Saucer Lamp.
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Designs on Film: A Century of Hollywood Art Direction
With hundreds of rare photographs, set sketches, and original renderings showcasing films of every era and genre, author Cathy Whitlock offers movie fans a backstage pass to 100 years of Hollywood’s most memorable film sets.
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FilmCraft: Production Design
Sixteen of the worlds greatest production designers share their insights, anecdotes, and technical achievements, through a series of exclusive interviews.
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House of Gucci Desk / Dining Table, screen used original by Barberini & Gunnell
As seen in:Director: Ridley Scott
The screen used sculptural table Bangles House of Gucci desk table was chosen by Director Ridley Scott and Production Designer Arthur Max for the film House of Gucci.
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Hug Dining Chair by Pouenat
As seen in:Designer: Humbert & Poyet
Director: Chad Stahelski
The well-crafted Hug chair by Pouenat, designed by Humbert & Poyet, appears in John Wick: Chapter 4