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Humbert & Poyet

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Hug Dining Chair by Pouenat

Hug Dining Chair by Pouenat

As seen in:
  • John Wick: Chapter 4

Designer: Humbert & Poyet

Director: Chad Stahelski

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Sofa as seen in John Wick Chapter 4

Sofa as seen in John Wick Chapter 4

As seen in:
  • John Wick: Chapter 4

Designer: Humbert & Poyet

Shop Now
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Bathrooms in Film No. 1: Bathing, soaking, hiding, Bathrooms in Film No. 1: Bathing, soaking, hiding, escaping

Bathrooms are meant for washing, bathing and shutting the door on everyone else for five minutes. In films, the bathtub often becomes something more dramatic.

A place to relax, recover, dream, hide, unravel, sing loudly, drink, think, or simply disappear beneath the bubbles.

And filmmakers have given us tubs at every extreme. Vast Bond bathrooms built for decadence. Marie Antoinette reclining in almost palatial surroundings. Stark, shadowy baths that feel eerie. Baths that become a stage, a refuge, a joke, a threat, or occasionally somewhere to share the water with a lamb.

The bathroom can also tell us an enormous amount about the character using it. The taps, tiles, lighting, bottles, towels and scale of the room all place us inside somebody else’s world.

Films pictured include A Clockwork Orange, Atonement, Asteroid City, Diamonds Are Forever, Gone Girl, Lamb, Marie Antoinette, Pretty Woman, Requiem for a Dream, The Nice Guys and The Phoenician Scheme.

Which film bath would you happily sink into?

🚿 For more interiors, furniture and design on screen, visit Film and Furniture at filmandfurniture.com.
🔗 Link in bio

#filmandfurniture
🍴 What is it with film and TV’s obsession with kit 🍴 What is it with film and TV’s obsession with kitchens and cooking?

👨🏼‍🍳 As TONY, the new film about the early life of Anthony Bourdain, arrives in cinemas soon, we’re looking at a room filmmakers return to again and again: the kitchen.

In TONY, a 19-year-old Bourdain stumbles into the chaotic world of a restaurant kitchen in Provincetown, an experience that helps set the course of his life. Anyone who has watched The Bear, Boiling Point or Ratatouille will understand why professional kitchens make such fertile territory for storytelling.

Commercial kitchens are pressure cookers: hierarchy, ritual, speed, heat, noise and danger. In The Cook, the Thief, His Wife & Her Lover, the kitchen becomes theatrical and surreal, while the hot, industrial kitchen of Monkey Man is a world of stainless steel and steam.

Domestic kitchens tell different stories: family, seduction, arguments, solitude and everyday life.

Production design and set decoration make them especially revealing. Cabinetry, worktops, tiles and lighting establish era, income and taste, while a copper pan, battered saucepan, coffee pot or pile of washing-up can say just as much.

Look at Ruth Handler’s nostalgic kitchen in Barbie, where Barbie meets her maker, the vivid turquoise kitchen of All About My Mother, the shadowy world of Blade Runner 2049, or the meticulously arranged food and table settings of Fantastic Mr. Fox.

Cooking works beautifully on screen too. Chopping, stirring and washing-up give scenes rhythm while characters talk, fight, confess or think, and food brings memory, culture, class, pleasure and care.

Which screen kitchen has stayed with you, for the food, the drama or simply the design?

TONY, directed by Matt Johnson, stars Dominic Sessa as Anthony Bourdain alongside Emilia Jones, Leo Woodall and Antonio Banderas.

🔎 Spotted a piece of furniture or décor on screen you want to track down? Find it at FilmAndFurniture.com

#filmandfurniture @tonymovie @A24 @organichq
TONY film, kitchens in film, cooking on screen, production design, set decoration, film interiors
Sunday Sofas: Sofas in Film and TV No.6 The Stiff Sunday Sofas: Sofas in Film and TV No.6
The Stiff and Proper Edition

Sometimes the sofa is where everyone sits up a little straighter.

Across period drawing rooms, royal residences, political offices and prim and proper family homes, sofas become part of social choreography. Who sits, who stands, how far apart they are, and who gets the best position can tell us plenty about hierarchy, manners and authority.

The rooms here range from Regency England and 18th-century France to Washington offices, Hollywood mansions and suburban America. Some are lavish, some restrained, but each carries a sense of expectation, convention or social performance. Even the sofa seems to know the rules.

Here are our picks of where sitting comfortably may be rather beside the point.

Stay tuned for more Sunday Sofas...

👀 Find furniture from your favourite films and TV shows at filmandfurniture.com
🔗 Link in bio.

2. Bridgerton, Season 3
Production Designer: Alison Gartshore
Set Decorator: Natalie Papageorgiadis

3. The Great, Season 2
Production Designer: Francesca Di Mottola
Set Decorator: Monica Alberte
American Beauty
Director: Sam Mendes
Production Designer: Naomi Shohan
Set Decorator: Jan K. Bergstrom

4. Pride & Prejudice (2005)
Director: Joe Wright
Production Designer: Sarah Greenwood
Set Decorator: Katie Spencer

5. The Crown, Season 4
Production Designer: Martin Childs
Set Decorator: Alison Harvey

6. The Report
Director: Scott Z. Burns
Production Designer: Ethan Tobman
Set Decorator: Rich Devine
Babylon
Director: Damien Chazelle
Production Designer: Florencia Martin
Set Decorator: Anthony Carlino

7. The Milk of Sorrow
Director: Claudia Llosa
The Gilded Age, Season 2
Production Designer: Bob Shaw
Set Decorator: Lisa Scoppa

8. Oppenheimer
Director: Christopher Nolan
Production Designer: Ruth De Jong
Set Decorator: Claire Kaufman

9. Dangerous Liaisons
Director: Stephen Frears
Production Designer: Stuart Craig
Set Decorator: Gérard James
Hail, Caesar!
Directors: Joel Coen and Ethan Coen
Production Designer: Jess Gonchor
Set Decorator: Nancy Haigh
⬢ The carpet that helped inspire Film and Furnitur ⬢ The carpet that helped inspire Film and Furniture.

When we first investigated the famous Overlook Hotel carpet from Stanley Kubrick’s The Shining many years ago, even the Kubrick Archive couldn’t find a reference to it in the film’s production records.

So we kept digging.

Eventually, we confirmed the design as Hicks’ Hexagon by celebrated British interior designer David Hicks. Designed before The Shining, it became inseparable from the Overlook Hotel and has since appeared, or been referenced, across film, TV and popular culture.

And yes, you can actually own the officially licensed design.

Film and Furniture supplies officially licensed Hicks’ Hexagon carpets, rugs and runners, available in the famous red, orange and dark brown colourway, with bespoke colours also available.

They’re made to order, with hand-tufted wool and printed nylon options, standard and bespoke sizes, and worldwide delivery.

A rather more permanent souvenir of the Overlook than a room key.

🔗 Head to the link in bio for sizes, prices and bespoke enquiries.

And tell us: would you put Hicks’ Hexagon in your home? If so, where?
🕸️ We haven’t seen Spider-Man: Brand New Day yet, 🕸️ We haven’t seen Spider-Man: Brand New Day yet, but judging by its extraordinary reception, we need to put that right soon.

After a record-breaking opening weekend, the film has joined the billion-dollar movie club after just six days in cinemas 🤯 becoming the second-fastest film ever to reach the milestone.

Surprisingly for a story set in New York, much of the film was made here in the UK. Glasgow city centre doubled for Manhattan during the enormous street action sequences, while filming also took place at Pinewood Studios, Fanum House in Basingstoke, Senate House and Battersea Park in London, and the former HM Prison Dorchester.

Some of the film’s most revealing details, however, can be found away from the huge action sequences, inside Peter Parker’s New York flat.

Following the events of No Way Home, Peter is living entirely alone. His exposed-brick loft feels like a workshop as much as a home, filled with homemade equipment, training weights, multiple screens, tools and the workbench where he repairs and develops his Spider-Man suit. Without Tony Stark’s laboratories and technology, the space returns Peter to his ingenious, resourceful roots.

We also spotted a familiar piece of design during the party scene at MJ’s, played by Zendaya: what appears to be a white Anglepoise lamp, adding a little British design pedigree to the Marvel mayhem.

Have you seen Spider-Man: Brand New Day yet? Which interiors, buildings or smaller design details caught your eye beyond the action?

#FilmAndFurniture
Sunday Sofas: Sofas in Film and TV No.5, The Loung Sunday Sofas: Sofas in Film and TV No.5, The Lounging Edition

Sometimes a sofa’s most valuable role is to support the serious business of doing not very much.

On screen, sofas provide somewhere to stretch out, read, smoke, snack, sleep, recover, retreat from the world or share the cushions with a lover, a friend, a vampire or a badly behaved teddy bear.

From high end modernist seating and a repurposed bathtub to battered domestic workhorses, these are pieces made, borrowed or commandeered for relaxed living.

Here are our pick of sofas for anyone who regards sitting upright as a little too formal for Sunday.

Stay tuned for more Sunday Sofas...

Find furniture from your favourite films and TV shows at filmandfurniture.com
🔗 Link in bio.

1. A Single Man (2009)
Diretor Tom Ford
Production Design Dan Bishop
Ser Decoration Amy Wells
Only Lovers Left Alive (2013)
D Jim Jarmusch
PD Marco Bittner Rosser
SD Christiane Krumwiede, Malte Nitsche

2. Ted (2012)
D Seth MacFarlane
PD Stephen J. Lineweaver
SD Kyra Friedman Curcio and Chris Carnes

3. Mad Men (2007–2015)
Created by Matthew Weiner
PD Dan Bishop
SD Amy Wells and Claudette Didul

4. All of Us Strangers (2023)
D Andrew Haigh
PD Sarah Finlay
SD  Marian Murray

6. Atonement (2007)
D Joe Wright
PD Sarah Greenwood
SD Katie Spencer
Betty Blue (1986)
D Jean-Jacques Beineix
PD Carlos Conti
SD Jacques Leguillon

7. North by Northwest (1959)
D Alfred Hitchcock
PD Robert F. Boyle
SD Henry Grace and Frank McKelvey

8. Breakfast at Tiffany’s (1961)
D Blake Edwards
AD Hal Pereira and Roland Anderson
SD  Sam Comer and Ray Moyer
The Room Next Door (2024)
D Pedro Almodóvar
PD Inbal Weinberg
SD Kendall Anderson, Carlota Casado 

9. Domino (2005)
D Tony Scott
PD Chris Seagers
SD Nancy Nye
Ma (2019)
D Tate Taylor
PD Marc Fisichella
SD Carmen Navi
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We tell you this in the spirit of openness and please rest assured that all our recommendations are vetted and genuine.

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