Furniture & Homeware
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Space Age silver wall light by Charlotte Perriand
As seen in:Designer: Charlotte Perriand
Honsel
Director: Stanley Kubrick
Shop NowThe Space Age silver wall light (or sconce) with exposed bulb is designed by Charlotte Perriand and manufactured by Honsel of Germany makes an appearance in Alex’s bedroom (above his bed) in A Clockwork Orange.
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Kartell Namasté Tableware asymmetrical plates/trays
As seen in:Designer: Jean-Marie Massed
Kartell
Shop NowThe set of 3 different sized Kartell Namaste asymmetrical plates/trays features an organic design that calls to mind the idea of flat stones and an all-natural colour scheme. We spotted the Namaste trays in Avenue 5.
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Lady Mary Floor lamp
As seen in:Designer: Marc Sadler
Serralunga
Shop NowThe Lady Jane and Lady Mary are floor lamps featuring a characteristic engraving on lacquer, a process invented and registered by Serralunga. The Lady Mary floor lamp makes an appearance in the spaceship cruise liner Avenue 5.
Approx £2,557.00 Inc VAT if applicable / $3477
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Amelie pig lamp
As seen in:Director: Jean-Pierre Jeunet
Shop NowAmelie loves animal themes and we particularly love the pig lamp seen next to her bed in the eponymous film. You can now buy a replica lamp for you own home!
Approx £126.00 Inc VAT if applicable / $171
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Rabbit table lamp as seen in Parasite
As seen in:Designer: Front Design
Moooi
Director: Bong Joon Ho
Shop NowThe main character in Bong Joon Ho’s Parasite is a house – a beautiful modernist, elegant home owned by the wealthy Park family which boasts lots of wood, glass, clean lines and silhouettes – and… a characterful Rabbit Table Lamp
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Take A Line for a Walk chair by Alfredo Häberli for Moroso
As seen in:Designer: Alfredo Häberli
Moroso
Director: Alex Garland
Shop NowAlfredo Häberli’s design for the Take A Line For a Walk chair features in Ex Machina.
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Mr Hulot’s daybed bench from Jacques Tati’s Mon Oncle
As seen in:Designer: Jacques Tati
Domeau & Pérès
Director: Jacques Tati
Shop NowMr Hulot’s daybed bench as seen in Villa Arpel in Jacques Tati’s Mon Oncle.
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Rocking Chair from Jacques Tati’s Mon Oncle
As seen in:Designer: Jacques Tati
Domeau & Pérès
Director: Jacques Tati
Shop NowRocking Chair as seen in Villa Arpel in Jacques Tati’s Mon Oncle.
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Mrs Arpel’s sofa from Jacques Tati’s Mon Oncle
As seen in:Designer: Jacques Tati
Domeau & Pérès
Director: Jacques Tati
Shop NowMrs Arpel’s sofa as seen in Villa Arpel in Jacques Tati’s Mon Oncle.
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637 Utrecht Armchair by Gerrit Rietveld
As seen in:Designer: Gerrit Thomas Rietveld
Cassina
Director: Pedro Almodóvar
Shop NowRevolutionary for its time, the vibrant 637 Utrecht Armchair continues to turn heads today. We spotted two 637 in Almodovar’s Pain and Glory.
Approx £2,200.00 Inc VAT if applicable / $2992
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637 Utrecht Armchair Red by Gerrit Rietveld
As seen in:Designer: Gerrit Thomas Rietveld
Cassina
Director: Pedro Almodóvar
Shop NowAs unique and cutting-edge as ever, it’s hard to believe the 637 Utrecht Armchair by Dutch designer Gerrit Rietveld is over 70 years old. We spotted two in Almodovar’s Pain and Glory.
Approx £3,569.00 Inc VAT if applicable / $4853
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World’s Fair Saturn lamp (vintage)
As seen in:Director: Ridley Scott
Shop NowTo achieve maximum Future Noir moodiness Deckard’s apartment in Blade Runner features a myriad of lamps including a strangely kitsch World’s Fair Saturn lamp.
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Dazor Saucer Lamp (vintage)
As seen in:Director: Ridley Scott
Shop NowTo achieve maximum Future Noir moodiness Deckard’s apartment in Blade Runner features a myriad of lamps including a Dazor Saucer Lamp.
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Aplomb Concrete Pendant Light
As seen in:Designer: LucidiPevere
Foscarini
Shop NowTake influence from Harvey Specter’s apartment and introduce a sculptural, contemporary aesthetic to your space with the clean-lined grey Aplomb Pendant Light by design duo LucidiPevere.
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Eames Soft Pad Office Chair
As seen in:Designer: Charles and Ray Eames
sVitra, Herman Miller
Director: Guy Ritchie
Shop NowOffering superb comfort, the Soft Pad Office Chair is a decadent seating solution for any modern workspace, designed by Charles and Ray Eames in 1969. If it’s good enough for Suit’s Harvey Specter, it’s good enough for us!





































