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Todd Field

From our store
Harry Bertoia Bench

Harry Bertoia Bench

As seen in:
  • Tár

Designer: Harry Bertoia

Knoll

Director: Todd Field

Shop Now
Mid century teak arm chairs as seen in Tár

Mid century teak arm chairs as seen in Tár

As seen in:
  • Tár

Designer: Arne Vodder

Director: Todd Field

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National Career Lamp by Olafur Eliasson

National Career Lamp by Olafur Eliasson

As seen in:
  • Tár

Director: Todd Field

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Papa Bear Chair by Hans Wegner

Papa Bear Chair by Hans Wegner

As seen in:
  • Tár

Designer: Hans J Wegner

Director: Todd Field

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Platner side arm chair

Platner side arm chair

As seen in:
  • Quantum of Solace
  • Luke Cage
  • House of Gucci
  • Tár
  • The Fantastic Four: First Steps

Designer: Warren Platner

Knoll

Directors: Ridley Scott, Todd Field

Approx £2,600.00 Inc VAT if applicable / $3510

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Films / TV

Tár

Tár

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From Instagram
A Home That Remembers: The Design of Sentimental V A Home That Remembers: The Design of Sentimental Value

It is often said that a house can become “a character” in a film. In Sentimental Value, that has never been truer.

Nominated for 9 Academy Awards and 8 BAFTAs, Joachim Trier’s (@nobledanceroslo) Norwegian drama follows two sisters returning to their childhood home after their mother’s death. But beneath the performances lies something even more compelling.

This is a film about a house — and the furniture that maps its history.

The narrative moves through generations. And with each era, the interiors shift.

By the 1990s, production designer Jørgen Stangebye Larsen (@mrlastminute) and set decorator Catrine Gormsen (@catrinegormsen) mix democratic IKEA with Scandinavian modern classics.

An Arco floor lamp arcs over a Klippan sofa with a vintage leather patchwork cover.
A Pernilla chair by Bruno Mathsson becomes Gustav’s armchair — nostalgic, slightly worn, inherited in spirit.
A Bang & Olufsen television rests casually on a wheeled stand.

Nothing feels styled. Everything feels lived in.

Later, we glimpse a Swedese Lamino Easy Chair. In the mother’s former therapy office, an Alvar Aalto chair from Artek anchors the room. In the dining room, Series 7 chairs by Arne Jacobsen sit beside a Piet Hein table and a Cesca chair.

Furniture here is biography.

In partnership with @hollowaysofludlow, we explore how these enduring Scandinavian pieces — from the Lamino Easy Chair to the Series 7 — continue to shape homes today.

🎬 Read the full article now (LINK IN BIO)

🎙️ Our full interview with production designer Jørgen Stangebye Larsen is coming soon to YouTube and The Film and Furniture Podcast.

#FilmAndFurniture #SentimentalValue #ProductionDesign #SetDecoration #FurnitureDesign #ScandinavianDesign #NordicInteriors #BAFTAs #Oscars
Tonight we’re watching the BAFTAs with one eye on Tonight we’re watching the BAFTAs with one eye on the red carpet… and the other firmly on the design of the film sets of the nominees 👀🎬

Leading the BAFTA nominations this year is One Battle After Another with 14 nods, 
closely followed by Sinners on 13. 
Not far behind are Hamnet and Marty Supreme, each with 11
Frankenstein and Sentimental Value have secured 8 nominations apiece, 
while Bugonia and I Swear follow with 5. 
F1, Pillion, and The Ballad of Wallis Island round things off with 3 each.

It’s a strong year across the board, from intimate, emotionally layered interiors to large-scale cinematic worlds.

Who are you backing tonight? 🏆✨

#Filmandfurniture #BAFTAs #FilmDesign #ProductionDesign #SetDecoration #Cinema #FilmAwards #BritishFilm
In Ponies, espionage isn’t confined to back rooms In Ponies, espionage isn’t confined to back rooms and coded exchanges. It plays out in lobbies, restaurants and diplomatic residences too (and a retro hotel bathroom to die for - see pic 8).

Production designer @skwhaaat rebuilt 1977 Moscow largely in Budapest, researching beyond Cold War clichés to create interiors that feel politically charged rather than predictably austere.

Start with the Embassy apartment and CIA spaces. They're restrained, ordered. and bureaucratic. 
Furniture that feels issued rather than chosen. 
Clean lines, controlled palettes.

Then the Intourist Hotel.
Historically created to host foreign visitors - it becomes a stage-managed version of Soviet modernity. We see polished surfaces. Streamlined forms. A carefully calibrated international style. Hospitality with an agenda!

And the Russian restaurant is layered, patterned, textured. 
Wallpaper and ornament wrapping negotiations in atmosphere. 

Public interiors in Ponies perform power and they’re rich with period detail, from vintage lighting to sourced wallpapers that ground the drama in authentic 1970s design language.

👀 See the full design breakdown and sourcing story now live on Film and Furniture.
🔗 LINK IN BIO

Ponies is streaming now on @peacock in the US, and will be available on additional platforms, including Prime Video, soon.
The moment a film reference becomes a real client The moment a film reference becomes a real client brief is when panic and possibility collide.

Interior designer Jennelle of Specialized Interior Design was creating a full homage to Passengers — including its playful parody of the carpet from The Shining in alternative colourways.

So she searched for the carpet from The Shining.

Film and Furniture came up.

From there, the project unfolded.

“I found the Passengers article… that’s how all of this started trickling because of your website. That’s where I found where the wallpaper came from… I was like, ‘Oh — I can make all this happen.’ Literally… the best thing ever.”

She went on to commission the officially licensed Hicks Hexagon carpet from us — in a customised colourway to echo the Passengers reinterpretation.

This is exactly why Film and Furniture exists: to turn cinematic references — even layered homages within films — into real-world specification, with provenance and sourcing you can confidently present to a client.

Interior designers working with film-led schemes: think of us as your research partner and credibility layer.

🔗 Links in bio.

#theshining #passengers #interiordesign #theshiningcarpet #filmandfurniture
In the spy thriller Ponies, set in 1977 Moscow, tw In the spy thriller Ponies, set in 1977 Moscow, two American embassy secretaries: Bea (Emilia Clarke) and Twila (Haley Lu Richardson), find themselves pulled into Cold War espionage.

But the real intrigue in Ponies isn’t only in the intelligence briefings. It’s in the apartments.

Production designer Sara K White (@skwhaaat) was determined to dismantle the Western myth of Soviet greyness. Her research into 1970s Moscow revealed colour, ornament and richly layered domestic life, and she leaned into it.

Andrei’s apartment is dense with patterned wallpaper and textured surfaces — lived-in, personal, culturally rooted. Not austere. Not bleak. But complex.

Sasha’s space feels more controlled, almost self-conscious. Fewer personal traces. Surfaces that suggest awareness — as if the room itself understands surveillance.

Then there’s Bea. Her apartment carries refinement: mid-century pieces, considered lighting, a quiet composure. It reflects emotional structure — someone who values order in a destabilising world.

Twila’s, by contrast, feels more provisional. Practical. Less curated. A woman not yet fully anchored.

And Ray and Cheryl? Pure 1970s social ambition. Mirrored surfaces, gold, theatrical glamour. Their apartment performs success — it wants to be seen. Confidence edged with calculation.

These sets are psychological maps.
And they’re teeming with retro design inspiration.

👀 See more and the full breakdown, including the original wallpaper archives, Budapest flea market sourcing, and how Sara rebuilt Moscow from the inside out — now live on Film and Furniture.
🔗 LINK IN BIO

Ponies is streaming now on @peacock in the US, and will be available on additional platforms, including Prime Video, soon.
🕯️ In Hamnet, candlelight shapes the domestic worl 🕯️ In Hamnet, candlelight shapes the domestic world — glowing against timber, glass and pewter to create spaces of intimacy and ritual. 

Natural beeswax candles were used in the film for their honesty: practical, atmospheric and rooted in everyday life. 

It was also something specifically requested by Chloé Zhao for the film set as they are 100% natural, eco-friendly, and offer significant health benefits, such as air purification.

Before electricity, light itself was part of the home. Beeswax candles were valued for their steady, clean flame, illuminating meals and work alike. In Hamnet, that soft golden glow becomes part of the film’s emotional language, turning ordinary rooms into places of gathering, grief and care.

Find hand-poured 100% pure beeswax candles, made in the UK, in our marketplace at FilmandFurniture.com (LINK IN BIO).

They burn cleanly with a gentle honeyed warmth and contain no paraffin, soy or synthetic fragrance. 

Their muted tone pairs beautifully with linen, wood and simple ceramics, lending even the simplest table a sense of occasion.

Set a Hamnet-inspired table with herbs, torn bread and candlelight, and let the atmosphere do the rest.

Quiet, elemental and deeply domestic, beeswax candles bring a small piece of Hamnet’s world into the modern home.
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#filmandfurniture candles, Hamnet, films, movies, interiors
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