Roger Tallon Metamorphic Trapezoidal Day Bed
Designer: Roger Tallon
Director: Jacques Deray
The Roger Tallon Day Bed known as the Metamorphic Trapezoidal Day Bed of 1966 makes a striking appearance in the iconic French film La Piscine (1969), where its unique design becomes a key feature of the film’s visual landscape. Known for its bold, geometric form, this piece exemplifies Tallon’s innovative approach to furniture design—blending artistry with functionality in a way that elevated everyday objects into sculptural statements.
Product image c/o jousse-entreprise.com
Tallon’s career spanned various industries, but he is perhaps best known for his work in industrial design, which began after his engineering studies and early roles at companies like Caterpillar France and DuPont. His artistic journey took flight when he joined Technès in 1953, a pivotal moment that allowed him to combine technical expertise with an eye for aesthetic beauty. By 1959, Tallon had become the agency’s sole director, shaping the future of industrial aesthetics.
His influence extended beyond the design world into education, where in 1957, he helped establish France’s first design course at the École des Arts Appliqués in Paris. Tallon’s work with General Electric, which included designing household appliances and establishing the company’s first Design Department, further solidified his reputation as a pioneer in the field.
Tallon’s iconic Teleavia P111 portable television, released in 1966, broke away from conventional design and became a commercial success, cementing his place in design history. His collaborations extended into the transportation sector, with contributions to the design of the TGV trains, the Paris Métro project, and even the Montmartre funicular in Paris.
This Roger Tallon Day Bed, a standout of Tallon’s furniture design, is a perfect example of his ability to create timeless, functional art. Its placement in La Piscine elevates it from mere furniture to a symbol of modernist design, reflecting the chic, sophisticated atmosphere of the film. This piece continues to captivate design enthusiasts, embodying Tallon’s vision of furniture as both practical and expressive.
Tallon’s work remains influential across various sectors, from industrial robots and ski boots to watches and train design. His legacy is a testament to the power of innovative design and its ability to transcend time, creating objects that continue to inspire and resonate in both film and everyday life.


Roger Tallon Module 400 chair, stool, side table
Designer: Roger Tallon
Director: Jacques Deray
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