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Tulip Chair designed by Maurice Burke for Arkana

Tulip Chair designed by Maurice Burke for Arkana

As seen in:

Star Trek: The Original Series (TOS)
Star Trek: The Next Generation (1987, TV series)
Star Trek: Enterprise (2001, TV Series)
Star Trek: Discovery (2017, TV Series)
Star Trek: Strange New Worlds
Casino Royale (1967)

Designer: Maurice Burke

Arkana

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From Instagram

In Mark Anthony Green's thriller Opus, 90s pop sup

In Mark Anthony Green's thriller Opus, 90s pop superstar Alfred Moretti (John Malkovich) comes out of retirement to announce his new album, creating a media firestorm. This pic of Moretti features a series of lounge chairs and a side table which are next Levelist. (It'll make sense when you've seen it 😉).
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👀 Discover what these chairs and table are, and where to find them for your own home, by searching "Opus" at FilmandFurniture.com (link in bio).
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Production Designer: Robert Pyzocha
Set Decorator: Marcia Calosio
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#filmandfurniture #opusmovie #AlfredMoretti #JohnMalkovich @a24 #a24
#MarkAnthonyGreen #film #movies #cinema #productiondesign #setdecoration #filmset #setdesign #furniture #furnituredesign #homedecor #interiors #interiordesign #design #designinspiration #interiorsinspo #architecture #home #decor #decoration #interiordecor #loungechair #sidetable

Does the decor in The Residence - the Netflix new

Does the decor in The Residence - the Netflix new murder-mystery series set within the halls of the White House- have you hooked or repelled? 😳 From the Blue Room’s rich blue-and-gold extravagance to the intense clash of patterns that feel like a design dare, this show doesn’t hold back.

Behind the bold wallpaper and over-the-top details, there’s a whole lot of craftsmanship going on to replicate the real White House. Production Designer François Audouy and his team meticulously designed, sourced, and crafted some 70-plus rooms with jaw-dropping precision (and a sprinkling of artistic license) — we’re talking every gilded piece, intricate pattern, and over-the-top opulence you could imagine - including the Blue Room furniture: Gilded beechwood by Pierre-Antoine Bellangé of Paris which were purchased during the James Monroe administration for the real life White House.

Produced by @Shondaland, the series is on @Netflix now.

Production Designer: François Audouy (@audouy)
Set Decorator: Halina Siwolop
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#TheResidence #Netflix #BlueRoom #InteriorDesign #ProductionDesign #FurnitureDesign #TheResidenceNetflix #FilmAndFurniture #tvseries #film #setdecoration #filmset #setdesign #furniture #furnituredesign #homedecor #interiors #design #designinspiration #interiorsinspo #architecture #home #decor #decoration #interiordecor #thewhitehouse

The mainstream press have been all of flutter this

The mainstream press have been all of flutter this week about Gwyneth Paltrow saying she felt uncomfortable about the presence of an intimacy coordinator on the set of her new film Marty Supreme. Here is Gwyneth getting intimate with a few stunners (of the furniture kind 😉) > From The Royal Tenenbaums, to Iron Man and Emma, and everything in between.
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🎬 💡 📧 Inspired? Join our 9000+ newsletter community to receive bi-weekly Film and Furniture inspiration and a FREE upgrade to our CLASSIC MEMBERSHIP—your pass to exciting giveaways and more!
🔗 Sign up via link in bio.
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#filmandfurniture #gwynethpaltrow #MartySupreme #royaltenenbaums #pepperpotts #film #movies #cinema #productiondesign #setdecoration #filmset #setdesign #furniture #furnituredesign #chairs #chairlove #RoyalTenenbaums #interiors #interiordesign #design #designinspiration #interiorsinspo #architecture #home #decor #decoration #interiordecor #interiorstyling #vintage #movieprops

At the heart of the The Substance is Elizabeth’s

At the heart of the The Substance is Elizabeth’s apartment—a vast yet sparsely furnished space that reflects her loneliness and detachment from the world. As her psychological state deteriorates and Sue begins to take over, so does the space around her. The luxurious peach velvet bed cover transforms into dark midnight blue satin (a top shot influenced by American Beauty, 1999 - pic 4), the sleek modern chairs are replaced by a worn-out armchair from which she watches TV all day - the latter and several other scenes are a nod to Requiem for a Dream (2000) - pics 6&7. These subtle shifts in furniture and decor mirror her internal unraveling.

🎧 Discover more in Ep 10 of our video podcast: The Film Set Design of The Substance NOW LIVE
WATCH/LISTEN: PODCAST 👉🏼 YouTube, Podbean, Spotify, and most podcast platforms (all links in bio)

🍿 In this episode, host Paula Benson sits down with production designer Stanislas Reydellet to explore the striking production design of Coralie Fargeat’s The Substance. Reydellet shares the details of crafting a visually immersive world—one that is both unsettling and meticulously designed. From grand, minimalistic apartments to corridors that evoke a psychological journey, this episode explores the interplay of set design, furniture, décor, colour, and symbolism in storytelling.
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@trythesubstance
Director @coralie_fargeat
Production Designer Stanislas Reydellet
Set Decorator Cécilia Blom
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#Filmandfurniture #filmandfurniturepodcast #TheSubstance #TryTheSubstance #FilmDesign #ProductionDesign #SetDecoration #bedroomdecor #InteriorDesign #FilmInspiration #CinematicSpaces #SetDesign #StanislasReydellet #CoralieFargeat #setdesign #décor #designinspiration #demimoore #MargaretQualley

A visually arresting film set in The Substance is

A visually arresting film set in The Substance is the clinical, white-tiled bathroom, heavily inspired by Jean-Pierre Raynaud.

🎧 Discover more in Ep 10 of our video podcast: The Film Set Design of The Substance NOW LIVE
WATCH/LISTEN: PODCAST 👉🏼 YouTube, Podbean, Spotify, and most podcast platforms

“Coralie [Fargeat] wanted something common yet unsettling—a bathroom that could exist anywhere but felt strangely off. We used 20cm x 20cm white tiles everywhere, even on the ceiling,” explains production designer Stanislas Reydellet.

The rigid square geometry of the tiles is reflected in the sink, bathtub, and lighting, reinforcing the sense of order and sterility.

“The bathroom acts almost like a lightbox—a bright, clinical space that reveals everything,” he adds. “It was a technically challenging set, as every wall and ceiling panel had to be movable to accommodate the camera angles Coralie wanted.”
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@trythesubstance
Director @coralie_fargeat
Production Designer Stanislas Reydellet
Set Decorator Cécilia Blom
@mubi
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#Filmandfurniture #filmandfurniturepodcast #TheSubstance #TryTheSubstance #FilmDesign #ProductionDesign #SetDecoration #InteriorDesign #Bathroom #StanislasReydellet #CoralieFargeat #designinspiration #demimoore

Elizabeth/Sues Apartment in The Substance At the h

Elizabeth/Sues Apartment in The Substance
At the heart of the film is Elizabeth/Sue's apartment—a vast yet sparsely furnished space that reflects her loneliness and detachment from the world.

“The idea was to position Elizabeth at the top of society, almost like she’s on a hill, with the rest of the world beneath her,” production designer Stanislas Reydellet, explains. “Everything in her home is a reflection of her past life—but it’s deliberately out of time, blending influences from the 1940s to the 1990s.”

The apartment’s lack of personal possessions reinforces her sense of disconnection. “Coralie Fargeat wanted emptiness, just a few objects that serve the action and then disappear. The space itself had to feel vast yet isolating.”

As Elizabeth’s psychological state deteriorates, so does the space around her. These subtle shifts in furniture and decor mirror her internal unraveling.

The striking blue sculpture on the sideboard is a lamp with blue glass blades, rented from an antique flea dealer in Saint Ouen, and you can find the murano glass table lamp, sofas and armchairs, and dining chair on our website soon!

🎧 Discover more in Ep 10 of our video podcast: The Film Set Design of The Substance NOW LIVE
WATCH/LISTEN: PODCAST 👉🏼 YouTube, Podbean, Spotify, and most podcast platforms (all links in bio)

@trythesubstance
Director @coralie_fargeat
Production Designer Stanislas Reydellet
Set Decorator Cécilia Blom
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#Filmandfurniture #filmandfurniturepodcast #TheSubstance #TryTheSubstance #FilmDesign #ProductionDesign #SetDecoration #InteriorDesign #FilmInspiration #CinematicSpaces #SetDesign #interiordesign #StanislasReydellet #CoralieFargeat #setdesign #décor #designinspiration #demimoore #MargaretQualley

In this clip from our latest video podcast "The Fi

In this clip from our latest video podcast "The Film Set Design of The Substance" we discuss how and why The Shining carpet from Stanley Kubrick's masterpiece of horror is referenced in The Substance and show you where to find your own officially licensed carpet from the Overlook Hotel for your own home.

The Film and Furniture Video Podcast Ep. 10 is NOW LIVE 🍿 Host Paula Benson sits down with production designer Stanislas Reydellet to explore the striking production design of Coralie Fargeat’s The Substance. Reydellet shares the details of crafting a visually immersive world—one that is both unsettling and meticulously designed. From grand, minimalistic apartments to corridors that evoke a psychological journey, this episode explores the interplay of set design, furniture, décor, colour, and symbolism in storytelling.

WATCH/LISTEN: PODCAST 👉🏼 YouTube, Podbean, Spotify, and most podcast platforms (all links in bio)

👍 Don't forget to like, subscribe, and share!

@trythesubstance
Director @coralie_fargeat
Production Designer Stanislas Reydellet
Set Decorator Cécilia Blom

Video Credits
Film and Furniture Founder/Editor: @paulabenson
Podcast Producer: @suzannecouragecreative
Video/Podcast Editor: Laura Spini
Graphics: @paul_west @formukdesign
With thanks to @mubi

#FilmAndFurniture #filmandfurniturepodcast #thesubstancemovie #ProductionDesign #coraliefargeat #SetDesign #film #oscars #InteriorDesign #FilmDesign #SetDecoration #DesignInspiration #theshiningcarpet #theshining

If you thought the TV studio men's room in The Sub

If you thought the TV studio men's room in The Substance looked familiar, you were absolutely right… It’s a direct homage to The Shining! 🎬✨

Production designer Stanislas Reydellet confirmed in our recent interview that the space was deliberately inspired by the famous Gold Room red bathroom in The Shining, something that Director Coralie Fargeat was keen to explore—a place of eerie tension and psychological unease.

🎨 A Perfectly Chosen Location
Unlike most of the film’s custom-built sets, this bathroom was an existing location in Paris. With minor modifications, it became an unsettling space in The Substance.

🌊 How the Design Mirrors The Shining
🔴 Red doors & accents – Evoking the iconic confrontation scene between Jack Torrance and Delbert Grady.
🔲 Stark monochrome tiles – Heightening the clinical, almost surreal atmosphere.
📺 A Space of Power & Unease - Much like Kubrick’s vision, The Substance uses this bathroom as a psychological battleground, where power and identity blur in unsettling ways.

🎧 Discover more in Ep 10 of our video podcast: The Film Set Design of The Substance NOW LIVE
WATCH/LISTEN: PODCAST 👉🏼 YouTube, Podbean, Spotify, and most podcast platforms

🍿 In this episode, host Paula Benson sits down with production designer Stanislas Reydellet to explore the striking production design of Coralie Fargeat’s The Substance. Reydellet shares the details of crafting a visually immersive world—one that is both unsettling and meticulously designed. From grand, minimalistic apartments to corridors that evoke a psychological journey, this episode explores the interplay of set design, furniture, décor, colour, and symbolism in storytelling.
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@trythesubstance
Director @coralie_fargeat
Production Designer Stanislas Reydellet
Set Decorator Cécilia Blom

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#Filmandfurniture #filmandfurniturepodcast #TheSubstance #TryTheSubstance #FilmDesign #ProductionDesign #SetDecoration #TheShining #StanleyKubrick #InteriorDesign #FilmInspiration #CinematicSpaces #SetDesign #Bathroom #StanislasReydellet #CoralieFargeat #setdesign #décor #designinspiration #demimoore

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