About us

In our world - the furniture is the star!

About us

Film and Furniture – Furniture and décor with a story to tell

Ever watched a film and found yourself obsessing over a chair, a lamp, or even a carpet, wondering where you could get it for your own home? You’re not alone.

Film and Furniture is the ultimate online destination for uncovering the stories behind iconic film décor and discovering where to find these pieces for your own home. In our world, the furniture is the star: from contemporary items in recent blockbusters to vintage treasures in timeless classics.

film and furniture about us

Driven by an unrelenting passion for film and design, Film and Furniture has grown into a global community of over 420,000 monthly visitors across our website, newsletters, social media channels, and video podcast. Together, we celebrate the magic of film-inspired design, bringing a slice of the silver screen into homes around the world.

The furniture and décor we explore come with rich design knowledge and provenance, revealing why these items were chosen for the film set and how they sometimes tell us more about the characters than the script. We then show you where to acquire these pieces, helping you recreate cinematic magic in your own space.

Our insights have been featured in prestigious publications like Financial Times Weekend, GQArchitectural Digest, and The Hollywood Reporter. We’ve also been invited to share our expertise at global events and conferences, earning accolades such as Best Design Inspiration in the Amara Interior Blog Awards.

Most importantly, we’ve built trust within the film industry itself. Studios now seek out the Film and Furniture treatment, sharing behind-the-scenes secrets exclusively with us. Our features, guest articles, and interviews with world-renowned production designers and set decorators are a source of inspiration for interior design and home décor enthusiasts alike.


The birth of an idea

Film and Furniture was born from the imagination of our founder, Paula Benson – a creative director, film lover, and furniture fanatic.

As a child, Paula would sketch her dream home over and over again, obsessing over every detail of it’s s décor. “I’d lose myself in the world I was creating – the look, the sensations, and the conversations – just like a film set.” she recalls. That passion for design followed her into adulthood, where interior magazines and films became a major source of inspiration.

film and furniture about us

“Whenever I watch a film, I often lose the plot because I’m too busy studying the set decoration – whether it’s a space-age chair in 2001: A Space Odyssey or a bed in a Bond movie,” Paula says. But finding these pieces in real life was a challenge.

The turning point came after a rewatch of Kubrick’s The Shining. The Overlook Hotel’s iconic hexagonal carpet captivated her, but no one had explored its origins or the hidden narrative it revealed. Paula realised there was a gap—a place where film and design could meet, where people could uncover the stories behind iconic set pieces and bring them into their own homes. And so, Film and Furniture was born. 


Behind-the-scenes

For over three decades, Paula honed her design sensibilities as co-founder of the renowned London graphic design and branding studio, Form®. “At Form, we create worlds through design and branding – working with brands like Abbey Road Studios, Virgin Galactic, and Adidas as well as music legends like Elbow, Depeche Mode, and Girls Aloud, ” Paula explains. “My partner Paul West and I were even invited to head up Apple’s graphics department in California under Steve Jobs, and we’ve met luminaries like Nelson Mandela and King Charles, as well as a host of colourful rock stars and visionary thinkers along the way.”

Initially, Film and Furniture began as a passion project – a blog Paula ran alongside her work at Form®. But juggling both led to a pivotal decision: Paula and Paul downsized Form to focus on their personal passions. They sold their beloved London home, relocated to the West of England. Paula devoted herself more fully to Film and Furniture, and Paul to his art.

The journey wasn’t without challenges. The move coincided with the post-Covid exodus from London, leaving them temporarily homeless. Paula also faced the steep learning curve of running a media-focused website without a team, leading to burnout. But with tenacity, passion, and the unwavering support of her partner, family, and friends, Paula persevered.

paula benson film and furniture verner panton living tower

Over the next five years, she single handedly built trust within the film industry, connected with production designers, mastered new skills, took courses, spoke with business owners, met with film PR companies, sought advice, dove into affiliate schemes, mastered video editing, attended events, brought in help, and grew Film and Furniture into the thriving platform it is today.

She continues to drive whoever she is watching a film with mad, by pausing it to study the furniture!


And now…

film and furniture about us

Today, Film and Furniture showcases and sells thousands of items from hundreds of films and TV shows—from a glass in Blade Runner to a sofa in Mad Men.

We’re also the exclusive source for the public to purchase the officially licensed The Shining Hicks Hexagon carpet and rugs, as well as Room 237 and Gold Room luxury carpets and rugs – delighting clients from London to Los Angeles. We also act as trusted agents for selling limited edition art, lighting, and hi-fi equipment, spanning films from A Clockwork Orange to House of Gucci.

Room 237 rug, Hicks Hexagon carpet and Gold Room runner from The Shining


Join us

Become part of the Film and Furniture family.

Sign up for our newsletter

Become a member  (Classic membership is free and we offer other membership options with extra perks and benefits)

Follow and chat with us on social media (links in footer)

Watch/listen to our behind-the-scenes video podcast.

We’re also forming exciting partnerships with like-minded brands and hosting lively talks, quizzes, and events.

film and furniture podcast logo banner

 

Press Articles

FT How To Spend It

FT How To Spend It

In their feature ‘Furniture from cult movies at the click of a mouse‘ the Financial Times How To Spend It says “Film and Furniture is designed for easy browsing – flick through the Film A to Z or the ‘Furniture & Homeware’ category and it serves as an ever-growing IMDb for objects and their starring roles”.

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Financial Times

Financial Times

In a captivating exchange between Film and Furniture’s visionary founder, Paula Benson, and Edwin Heathcote, the distinguished architecture and design critic of FT, anticipation brewed for what the discourse might yield. To our delight and humility, what transpired exceeded all expectations.

The lead article in FT Weekend unfolded as a comprehensive exploration of Film and Furniture, graced by the profound insights of renowned Production Designers and Set Decorators including Sonja Klaus, Judy Ducker, and Adam Stockhausen.

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Contributors & Advisors

Film and Furniture has a number of talented advisors, collaborators and contributors to whom we are very grateful
Paula Benson, Film and Furniture Founder, Curator, Editor and Creative Director. Passionate about furniture, films, design, art and mind over matter.
Cal Loucks, Set Decorator and Film and Furniture contributor/advisor, known for her work on major Hollywood films including Batman v Superman, Fifty Shades Darker/Freed, Total Recall, Don't Say a Word, Shall We Dance, The Sentinel, Max Payne, The Incredible Hulk, RED, Robocop.
Loren Weeks, Production Designer (Marvel Netflix Iron Fist, Luke Cage, Jessica Jones, Daredevil, The Defenders as well as Gossip Girl, Blind Date, Interview), Film and Furniture fan and advisor
Simon Bowles, Production Designer and Film and Furniture contributor, known for his work on Johnny English Strikes Again, The Descent, Dog Soldiers, A United Kingdom, Hyde Park on Hudson (for which he won the 2013 British Film Designers Guild Award) Pride and Belle.
Matt Cole, Creative Director at Media Monks, occasional digital art noodles and Film and Furniture guest writer. Matt's Instagram: https://www.instagram.com/mattgcole/
Christian Anderson Ramshall, Head of Digital Production for virgin.com and guest writer for Film and Furniture. He loves beautiful design in furniture, guitars and going full nerd over hidden meanings in Kubrick films.
Paul West, Multi-talented and multi-cool (our words not his!). Designer, contributor and advisor to Film and Furniture, Paul is co-founder and creative director at London design and branding agency Form as well as being a successful artist (landscape painter and charcoal artist) and music aficionado.
Justin Pratt, Manager, Knoll Studio UK and International at Knoll. Furniture consultant and guest writer for Film and Furniture.
Cornelia De Ruiter, Interior Designer, Founder of Homewings and guest writer for Film and Furniture
Toni Barton, Art Director for the Marvel Netflix series (Iron Fist, Luke Cage, Jessica Jones, Daredevil), Film and Furniture contributor.
Sebastien Dehesdin, Film and Furniture's website developer as well as a photographer and film maker.
Fiona Cole, Copywriter, promo director and contributor to Film & Furniture.
Lucy Ryder Richardson, Founding Partner at Modern Shows®, design writer, property stylist and Film and Furniture contributor.
Hannah Russell, Film and Furniture contributor, furniture fanatic and Co-founder and CEO of Layer, the curated online marketplace for preloved design furniture which has recently been acquired by Vinterior. She discovered a love for mid century furniture whilst browsing the flea markets during her time spent living in Berlin and hasn’t looked back since!
Eleanor Elliott-Rathbone, Practicing graphic designer with a penchant for movies. Her latest project is a publication about the significance of objects and spaces in film. Guest writer for Film and Furniture.
Karen Burg, Editor of Set Decor, the Set Decorators Society of America online magazine and Film and Furniture advisor and contributor.
Kassia St Clair, Culture historian and design journalist who writes for the New Statesman, Quartz, The Economist, 1843 and guest writer for Film and Furniture. You will most likely have read her regular insightful column on colour in Elle Decoration. Her new book The Secret Lives of Colour is well worth a read.
Natasha Brinsmead, Film and Furniture contributor, writer for Zespoke.com and associate editor at Homebuilding & Renovating.
Frances Anderton, Design expert and broadcaster, host of DnA: Design and Architecture on KCRW Radio, and Film and Furniture contributor.
Jean Whitehead, Film and Furniture contributor, Senior Lecturer in Interior Design at Falmouth University, U.K. Interested in interior atmosphere, experiential design and storytelling within design and is the author of ‘Creating Interior Atmosphere: Mise-en-scène and Interior design.’
Malcolm Pearce, Managing Director of CSM who specialise in metal fabrication for film sets as well as the industrial, retail, commercial and domestic sectors. Contributor to Film and Furniture.
John Cole, A filmmaker, writer and contributor to Film and Furniture. John specialises in cinema, digital media, and pets, his passions include art-house movies and biscuits. A native Englishman, he is always on the move, but can most commonly be spotted in the UK, Norway, and the Balkans.
Anthony McKay, Anthony McKay is a New Zealand based researcher specialising in the history of British film studios. He is best known for researching and curating ‘A Guide of Avengerland’ a web site which documents the locations used in 1960s filmed television series. He is currently researching the M-G-M British Studios and the history of Metro Goldwyn Mayer, within the United Kingdom.
Maurice Leslie, Former film critic for La-North.com and for the past five years has worked in Belleville, Ontario as a playwright and theatre director. His one-act plays include The Flooding, I Am _____ and The Yard. His debut novel will see release on Canadian bookshelves sometime in 2021.
Molly Musselwhite, Molly is a writer from Toronto with a strong interest in interior design and architecture. Her favourite movie is Breakfast at Tiffany’s due in part to the eclectic set design.
Barbara Stern, Barbara has over 20 years in the textile industry and serves as Editor in Chief at Ottoman Textiles. Her deep understanding of textile manufacturing and design is widely recognised, and her expertise has been featured in numerous publications.
Rob Sweeny, Rob is graduated historian who decided to use his splendid research skills in the world of content marketing. He is a writer who is thorough and true to his word. It would be naïve to expect anything less from a historian.
Joel Spencer,

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