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Larry Dias

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From Instagram
You’ve admired the Overlook’s interiors. Now, wher You’ve admired the Overlook’s interiors. Now, where would you put a piece of them?

Following our snoop around customers’ homes (see previous post), here’s a closer look at The Shining collection from Film and Furniture, with a rare Halloween saving.

Hicks Hexagon along the hallway. 
Room 237 in your guest room. 
Gold Room beside the home bar. 
Or a cushion on the sofa for the film fan who has already run out of wall space for posters.

We supply officially licensed luxury rugs and carpets featuring these much-loved designs, alongside Shining cushions, tea towels and Shimmer rugs.

Swipe to explore, and choose your Halloween treat:

🎃 5% off luxury wool rugs and carpets, and printed nylon carpet
Code: SHINING5

🎃 10% off Shining tea towels, cushions and Shimmer rugs
Code: SHINING10

🇺🇸 USA customers can order tea towels, cushions and Shimmer rugs online. For luxury wool rugs and carpets, send us your measurements for a personalised quote, including shipping, and mention SHINING5.

🇬🇧 UK customers can order standard-size wool rugs and the smaller pieces online. For custom-size rugs and wall-to-wall carpet, please request a quote.

🔗 Find the shopping links, customer interiors and full offer details via our bio link, under “The Shining collection”.

Please enquire early for quoted orders. All orders must be confirmed and paid by 31 October 2026 at 11.30pm GMT / 7.30pm Eastern / 4.30pm Pacific.

Shipping excluded. Cannot be combined with other offers. Delivery before Halloween is not guaranteed. Full terms in the article.

Which design has a room waiting for it?

#theshining #StanleyKubrick #theshiningcarpet #hickshexagon
🛋️Sunday Sofas: Sofas in Film and TV No.11 - The S 🛋️Sunday Sofas: Sofas in Film and TV No.11 - The Statement Edition

For this edition of Sunday Sofas, we’re looking at the ones that refuse to fade into the background. Sculptural, flamboyant, or theatrical, these are sofas that help define the whole room.

In Jacques Tati’s Mon Oncle, Mrs Arpel’s extraordinary green tubular sofa is part of the film’s wonderfully satirical vision of modern living, designed to look striking while making its inhabitants distinctly uncomfortable. Domeau & Pérès later recreated the sofa, along with other pieces from the film.

At the opposite end of the spectrum is the ornate silver settee in The Neon Demon, where furniture becomes part of the film’s highly stylised, fashion-editorial world. 

In Léon: The Professional, Mathilda sprawls across a huge carved, deep-green velvet sofa surrounded by snacks and clutter. It's slightly battered and completely in tune with the film’s odd domestic world.

Then there is The Devil Wears Prada 2, which gives us Misha Kahn’s Bois Brûlé sofa appears in the Milan hotel scenes, while the Kévin sofa anchors Lily’s New York loft. Both are substantial enough to behave like sculptures. 

Kubrick’s A Clockwork Orange is hardly short of memorable furniture, but the dog-tooth teal sofa in Alex’s parents’ aggressively patterned flat is a particularly good example.

And in Wicked: For Good, Glinda’s sweeping curved sofa follows the architecture of her extraordinary Art Deco-inspired apartment, part of Nathan Crowley and Lee Sandales’ richly layered production design. 

🔎 Find these and hundreds more pieces of furniture from film and TV at filmandfurniture.com
🔗 Link in bio.

Stay tuned for more Sunday Sofas...

Mon Oncle (1958)
D: Jacques Tati
Production/Set Design: Jacques Lagrange / Henri Schmitt

The Neon Demon (2016)
D: Nicolas Winding Refn
PD: Elliott Hostetter
SD: Adam Willis

Léon: The Professional (1994)
D: Luc Besson
PD: Dan Weil
SD: Françoise Benoît-Fresco

The Devil Wears Prada 2 (2026)
D: David Frankel
PD: Jess Gonchor
SD: Stephanie Q. Bowen

A Clockwork Orange (1971)
D: Stanley Kubrick
PD: John Barry
SD: Bill Welch

Wicked: For Good (2025)
D: Jon M. Chu
PD: Nathan Crowley
SD: Lee Sandales
How far would you take your love of Stanley Kubric How far would you take your love of Stanley Kubrick’s The Shining? A runner down the hallway? A rug beneath the record player? An entire home cinema?

Our Film and Furniture customers have some mighty fine answers.

We’ve been taking a snoop around their interiors, where Hicks Hexagon, Room 237 and Gold Room designs bring a cult classic horror movie into everyday life. Think games rooms, listening corners, home theatres and a guest suite with serious Overlook credentials. Actor Sean Pertwee even chose Hicks Hexagon for his home recording studio.

Swipe for inspiration, from bold colour combinations to bespoke monochrome carpet. There’s more than one way to furnish a film obsession.

We supply officially licensed luxury rugs and carpets featuring these much-loved designs, and we’re offering a rare Halloween treat:

🎃 5% off luxury wool rugs and carpets, and printed nylon carpet
Use SHINING5

🎃 10% off Shining tea towels, cushions and Shimmer rugs
Use SHINING10

For custom sizes and overseas luxury rug and carpet orders, request a personalised quote and mention SHINING5. Please enquire early to allow time for your quote and payment.

UK customers can order standard-size wool rugs online. 
UK and USA customers can also order tea towels, cushions and Shimmer rugs online.

🔗 Explore more interiors, styling ideas and full offer details via our bio link. Under “The Shining collection”, tap “Inspo from our customers’ homes + Halloween discount offer”.

Orders must be confirmed and paid by 31 October 2026, 11.30pm GMT / 7.30pm Eastern / 4.30pm Pacific. Shipping excluded. Full terms in the article.

Which room would you give the Overlook treatment?

#theshining #overlookhotel #stanleykubrick #theshiningcarpet #hickshexagon
⚖️ Power has a palette in Sky’s new legal drama WA ⚖️ Power has a palette in Sky’s new legal drama WAR.

The eight-part series, created by George Kay of Lupin and Hijack, follows two rival London law firms battling over the divorce of British tech entrepreneur Morgan Henderson, played by Dominic West, and international film star Carla Duval, played by Sienna Miller.

The interiors set up a strong visual divide between the worlds competing for control: dark timber, rich brown tones, mustard upholstery and brass detailing in the more traditional spaces, contrasted with glass walls, pale surfaces and cool blue corporate precision.

we’ve already spotted a couple of favourites.

There’s a Poul Henningsen PH table lamp for Louis Poulsen, its layered shades adding a warm pool of orange light to one of the darker office interiors. 
Henningsen’s famous three-shade system was developed to produce soft, glare-free illumination, which makes it especially effective here against all that polished wood and corporate seriousness.

Even better, there’s a Howard Keith Diplomat sofa, one of our long-standing favourites at Film and Furniture. Its low, generous form and unmistakably 1960s/70s glamour look very much at home in this world of money, power and expensive legal manoeuvring. Film and Furniture also acts as an agent for the buying and selling of original Howard Keith pieces, including the Diplomat.

The strongest design moment may be the mustard sofa sitting on that extraordinary geometric circular floor, seen from directly above. It turns a legal consultation into something almost graphic and stage-like.

👀 Find furniture and décor in film and TV at FilmandFurniture.com (link in bio)

WAR started streaming weekly from 2 October on @skytv and NOW.

Production Designer: Debbie Burton
Set Decorator: Emma Fisher
🛋️ Sunday Sofas: Sofas in Film and TV No.10, The D 🛋️ Sunday Sofas: Sofas in Film and TV No.10, The Design Classics Edition, Part 2

Some design classics are all chrome, structure and straight lines. Part 2 gets considerably squishier.

Here are three sofas that have earned their place in the design canon through very different approaches to the art of lounging.

The wonderfully slouchy Mags Soft by HAY appears in Ready Player One, where a huge cognac leather modular version sits comfortably amongst the film’s distinctly less comfortable vision of 2045.

Ronan and Erwan Bouroullec’s curvaceous Ploum sofa for Ligne Roset was designed around the idea of total postural comfort. A pair appear in The Drama when Charlie visits his friend Rachel’s workplace, bringing a very recognisable piece of contemporary design into the mix.

And then there’s Michel Ducaroy’s Togo, designed for Ligne Roset in 1973 and still looking gloriously relaxed more than half a century later. In White Lines, its low, crumpled form and burnt-orange upholstery are entirely at home in Boxer’s eclectic Ibiza apartment.

Three very different approaches to comfort. Three sofas with serious staying power.

🔎 Find these and hundreds more pieces of furniture from film and TV at filmandfurniture.com
🔗 Link in bio.

Stay tuned for more Sunday Sofas...

Ready Player One (2018)
D: Steven Spielberg | PD: Adam Stockhausen | SD: Anna Pinnock 
The Drama (2026)
D: Kristoffer Borgli | PD: Zosia Mackenzie | SD: Vanessa Knoll 
White Lines (2020)
PD: Mike Gunn | SD: Amparo Piñeiro, Eona McCallum, Graham Ward
❤️ RED: Rooms + Interiors in Film and TV, Part 2 ❤️ RED: Rooms + Interiors in Film and TV, Part 2

Sometimes red appears as a single piece of furniture. Sometimes it dominates the whole room.

Across these films, red works through walls, carpets, bathrooms, upholstery, rugs and whole architectural spaces. It can make an interior feel plush and decadent, playful, futuristic, theatrical or freak you out entirely.

In The Grand Budapest Hotel and Paddington, red is exuberant and enveloping. 

Glass Onion pushes it into full-blown luxury, with that huge de Sede-esque curved red sofa, red rug and red lamp all holding their own.

Scarface uses red to sharpen its gleaming white interiors, while The Big Lebowski and The Royal Tenenbaums show how red can bring warmth, pattern and personality into very different domestic spaces.

Then there are those unforgettable bathrooms. The Shining turns red and white into something graphic and spooky, while The Substance revisits the combination with its own clinical unease. 

In The Skin I Live In and Megalopolis, red upholstery becomes one of the most commanding elements in the room.

Red is rarely shy.

Which red room would you actually want to spend time in?

🔎 Find furniture and décor from film and TV at filmandfurniture.com
🔗 Link in bio.

Stay tuned for Part 3: RED: Love, Danger + Desire.

The Grand Budapest Hotel (2014)
D: Wes Anderson | PD: Adam Stockhausen | SD: Anna Pinnock IMDb

Paddington (2014)
D: Paul King | PD: Gary Williamson | SD: Cathy Cosgrove

Glass Onion: A Knives Out Mystery (2022)
D: Rian Johnson | PD: Rick Heinrichs | SD: Elli Griff

The Substance (2024)
D: Coralie Fargeat | PD: Stanislas Reydellet | SD: Cécilia Blom, Marion De Villechabrolle, Pierre Strub

The Shining (1980)
D: Stanley Kubrick | PD: Roy Walker

Scarface (1983)
D: Brian De Palma | PD: Ferdinando Scarfiotti | SD: Bruce Weintraub 

The Big Lebowski (1998)
D: Joel Coen | PD: Rick Heinrichs | SD: Chris L. Spellman 

The Royal Tenenbaums (2001)
D: Wes Anderson | PD: David Wasco | SD: Sandy Reynolds-Wasco

The Skin I Live In (2011)
D: Pedro Almodóvar | PD: Antxón Gómez | SD: Vicent Díaz

Megalopolis (2024)
D: Francis Ford Coppola | PD: Beth Mickle, Bradley Rubin | SD: Lisa K. Sessions
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