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Pugil floor lamp by Bert Frank

Pugil floor lamp by Bert Frank

As seen in:

Johnny English Strikes Again

Designer: Bert Frank

Bert Frank

Director: David Kerr

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🕯️ In Hamnet, candlelight shapes the domestic worl

🕯️ In Hamnet, candlelight shapes the domestic world — glowing against timber, glass and pewter to create spaces of intimacy and ritual.

Natural beeswax candles were used in the film for their honesty: practical, atmospheric and rooted in everyday life.

It was also something specifically requested by Chloé Zhao for the film set as they are 100% natural, eco-friendly, and offer significant health benefits, such as air purification.

Before electricity, light itself was part of the home. Beeswax candles were valued for their steady, clean flame, illuminating meals and work alike. In Hamnet, that soft golden glow becomes part of the film’s emotional language, turning ordinary rooms into places of gathering, grief and care.

Find hand-poured 100% pure beeswax candles, made in the UK, in our marketplace at FilmandFurniture.com (LINK IN BIO).

They burn cleanly with a gentle honeyed warmth and contain no paraffin, soy or synthetic fragrance.

Their muted tone pairs beautifully with linen, wood and simple ceramics, lending even the simplest table a sense of occasion.

Set a Hamnet-inspired table with herbs, torn bread and candlelight, and let the atmosphere do the rest.

Quiet, elemental and deeply domestic, beeswax candles bring a small piece of Hamnet’s world into the modern home.
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#filmandfurniture candles, Hamnet, films, movies, interiors

Decor and Design Details to Love in Fennell’s Wuth

Decor and Design Details to Love in Fennell’s Wuthering Heights.

@emerald_fennell1's @wutheringheightsmovie adaptation moves decisively away from traditional windswept naturalism and treats design as emotional voltage, using architecture and surface to heighten every feeling.

Starring Margot Robbie as Catherine Earnshaw and Jacob Elordi as Heathcliff, with Charlotte Mellington and Owen Cooper as their younger counterparts, and Martin Clunes, Shazad Latif and Hong Chau as Mr Earnshaw, Edgar Linton and Nelly Dean, the film understands this is a story of extremity and the interiors follow suit.

From the oppressive, elemental Earnshaw house on the Yorkshire moors to the polished, increasingly suffocating interiors of Thrushcross Grange, every surface amplifies emotion.

This is Wuthering Heights dialled up.

With production design by @suziedav and set decoration by @dirickx_set_decorator_ Emily Brontë’s story is transformed into something heightened, symbolic and gloriously unapologetic.

Read our full design breakdown now at FilmandFurniture.com
🔗 Link in bio.

In Chloé Zhao’s Hamnet, we were drawn to all the w

In Chloé Zhao’s Hamnet, we were drawn to all the wonderful pewter plates – resting on rough wooden tables and bearing the marks of use. Production designer Fiona Crombie and set decorator Alice Felton chose pewter for its quiet realism: practical, durable and softly reflective in low light.

Before porcelain and fine china became commonplace, pewter was the material of the ordinary table. Neither precious like silver nor disposable like wood or earthenware, it occupied a useful middle ground — valued for its weight, warmth and adaptability. Over time, pewter develops a gentle patina shaped by handling rather than polishing, making each piece subtly individual.

On a contemporary table, pewter still works beautifully. Its muted grey surface pairs naturally with linen, timber and candlelight, lending a sense of ceremony.

They also invite a little theatricality at home. Set a Hamnet-inspired table with pewter plates, beeswax candles, and let the material itself help create a mood of intimacy and ritual — a table designed for gathering, not showing off.

Find pewter plates and beeswax candles in our marketplace at FilmandFurniture.com (LINK IN BIO)

Note: Modern Pewter (Lead-Free): Safe for daily use. Modern items are typically stamped or labeled as "lead-free".
Antique/Old Pewter: Likely contains lead, which can cause lead poisoning. It should be used for decorative purposes only.
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filmandfurniture hamnet film, movies, design, interior design, interiors, tableware, Table styling, Tablescaping, pew

❤️ Valentine’s Day isn’t only about roses. It’s ab

❤️ Valentine’s Day isn’t only about roses. It’s about desire. It’s about bold gestures.

And in cinema, red is never shy.

🥰 Olivier Mourgue’s Djinn chair in 2001: A Space Odyssey upholstered the future in scarlet. Sensuous, low-slung, unforgettable.

‼️ Ettore Sottsass’s Valentine typewriter in A Clockwork Orange turned rebellion into portable design.

🛑 Gaetano Pesce’s UP Chair in Diamonds Are Forever made comfort provocative.

🟥 Cy Twombly’s vast red Bacchus canvas in Glass Onion: A Knives Out Mystery hangs like pure ego and excess.

🎈 Marc Newson’s Gluon chair in Prometheus injects heat into sci-fi precision.

💄The red Knoll sofa in Mad Men proves confidence is always attractive.

🐞 The bold red Adirondack chair in Beetlejuice Beetlejuice turns a porch into a statement.

♦️Verner Panton’s Living Tower — sculptural, immersive, unapologetic — is practically Valentine’s embodied.

📕And in A Complete Unknown, 1950s red applainces transforms a modest cabin into something warm, personal and full of character.

Red seduces.
Red provokes.
Red commits.

This Valentine’s Day, if you’re going to fall in love — fall hard.

🔴 Find furniture and décor from film in our marketplace at filmandfurniture.com — link in bio.

All work and no love makes Jack a dull boy… ❤️ Th

All work and no love makes Jack a dull boy… ❤️

This Valentine’s Day, we’ve given the Overlook Hotel a little heart transplant. The same hypnotic geometry. The same unforgettable corridor from The Shining. Just a softer centre.

Because if you’re going to fall in love, you might as well fall in love with a carpet

WIN! Tag your film-loving Valentine by name with a ❤️ in the comments - we’ll choose one to win a Shining tea towel (see pic 2)
Giveaway closes Saturday 21st Feb 12:00 GMT

🖤 Officially licensed The Shining Hicks Hexagon carpets and rugs, and The Shining tea towels are available from our marketplace
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#filmandfurniture the overlook hotel, the shining, production design, stanley kubrick, carpet, geometric, rug

Valentine’s Day belongs to red. And in cinema, no

Valentine’s Day belongs to red.

And in cinema, no one understands that better than Pedro Almodóvar.

In Pain and Glory, Vico Magistretti’s Eclisse lamp glows like memory.
Rietveld’s Utrecht armchair sits unapologetically bold: passion in geometric form.
In Julieta, the Tolomeo lamp burns with quiet emotion.
In Parallel Mothers, Joe Colombo’s Topo adds warmth and charge.
In Broken Embraces, Enzo Mari’s Red Apple becomes a declaration on the wall.

Almodóvar has always been fully committed to red.
And that’s what Valentine’s is really about — commitment to love. Choosing intensity. Refusing beige.

This 14th February, fall in love with furniture that feels something.

❤️ Find furniture and décor from film in our marketplace at filmandfurniture.com — link in bio.

#filmandfurniture production design, set decoration, valentines day, interiors, interior design, interiors inspiration, red, love, furniture

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